maman

Louise Bourgeois 

Maman

in Wanås sculpture park in Sweden

2006

photographs in the book by Anders Norrsell.

'maman is an homage of the artist to her mother,

the woman who held together all the threads of the family'

collected

I've been collecting magazines for years.
I'm done with it.
I took me 4 weeks to edit 72 interior magazines!
2,3 magazines a day (and a good bunch yesterday).
Ended up with a pile of cuttings I'd like to keep.
Almost never read an article in those magazines,
only looked at pictures.

+

a row of plants on the bench

+

peperomia angulata

today

rough stitches.

+

avocado seed.

+

Composition 10 in black and white | Piet Mondrian

(*I do not own the copyrights of the third image)

doodles

I started to draw again,
I've stopped 10 years ago 14 years ago.
It's a slow internal process.

+

this post

 © 2014 Alessandra Taccia

because

I appreciate.

+

this post

in my wardrobe

An unexpected addition to my wardrobe, 
came through my mailbox.
Thank you Xenia!
Longing for warmer days.

on sunday

A walk to the Botanic Garden.
I stood in front and under this marvel,
a perfect cherry tree.
Its story here.

(unfortunately I didn't bring my camera, these are mobile's uploads)

+

桜

sakura

+

this picture by Hideaki Hamada

making coffee

We grind coffee beans,
because we like it.
It reminds me of my grandad.

upstairs

When I wake up I see this.

I made these linen curtains,
they come to life with the breeze.
I open the windows every morning, 
to let the fresh air in.

I painted the walls in 'strong white', 
a white slightly grey, like white flour.
The light and shadows are ever changing.

Have a fine weekend.

spring equinox

To celebrate spring, honey scented tulips on the table.

+

A couple of images from the book by Tony Birks on Lucie Rie work.
She was a remarkable woman, she had a long life and career. 
She made her first pot in 1923 and her last one in 1990.
She often said she was  'just a potter'. 
She has dedicated her life to pottery.
Despite she made pottery only, she never duplicated any of her works. 
Once she said:
'Every new work is a new beginning. Indeed, I shall never cease to be a pupil'.
At the end of her career she asked to a friend:
'Do you think I have made enough pots?'

If you want to know more about her, 
I recommend you this biography I've recently read,
'Lucie Rie: Modernist  potter, Emmanuel Cooper'
here's a review

I'm lucky to have the opportunity to see few of her works on permanent display at the
Fitzwilliam Museum and in Kettle's Yard in Cambridge.